This experiment delves into how Modernity has created a mindset in which everything is reduced within the realms of 'Nature' - everything not made by humans - and 'Culture' - everything made by humans. These two domains are seen as contrasts to each other, and what lies within one should not fall outside or connect with the other domain. This mindset is attempted to be physically depicted.

By isolating and placing the 'natural' elements at the center, emphasis is placed on their meaning and power as symbols of the natural world. The frame acts as a boundary between humans and nature, creating a sense of distance and separation. It should be interpreted as a visual representation of how humans often perceive themselves as disconnected from any direct connection with the natural environment.

The work raises questions about the role of humans in relation to other-than-human entities. Visually, it creates a tension between the natural world and human influence, inviting reflection.

In the first version of the work, a composition is shown in which the tree, symbolizing 'Nature', is isolated and framed in relation to the human figure, representing 'Culture'. This image creates a clear contrast between the two elements and emphasizes the division often experienced between human and other-than-human entities; partly due to Modernity.

In the second version, all 'natural' elements are framed - not just the tree - giving framing a deeper layer of meaning. Consequently, the human is placed in a spatial environment where it is more directly challenged to contemplate its own place in the world.